Dry Brush watercolor tutorial
OBJECT: Learn dry brush watercolor painting techniques.
The parched painter
Arches #140 CP watercolor paper, Grumbacher 1" flat red sable, and Kolonok's #4 flat and #8 round Kolinsky red sable brushes.COLORS USED (various manufacture):
Cadmium Yellow Medium, Cadmium Orange, Cadmium Red Medium, Alizarin Crimson, Cerulean Blue, Cobalt Blue, Ultramarine Blue, Hooker's Green Dark, Burnt Sienna, and Burnt Umber.
First off, I lightly sketched a random landscape design
on the watercolor paper using a #1 pencil.
With a light wash of Cerulean Blue
I scumbled a rough sky in, dragging and pushing my 1" flat read sable to create texture.
Laying some foundation washes
I wanted some underlying tones
to dry brush the subsequent strokes over.I made a light wash of Hooker's Green Dark
grayed with a touch of Alizarin Crimson and I painted the backround tree line around what is now determined to be a lake using the #8 round red sable .
Using a wash of Dioxazine purple
I painted the shadow areas of the tree, keeping the edges rough with broken washes.While this was still wet
I added some blue accents with a mix of Cobalt blue.
Letting the underpainting dry
I tried to keep the underpainting
as dry and broken looking as possible, except for the lake area which needed some suggestions of the reflections and flow of the water.
Using a gray made of
Burnt Sienna, Cobalt blue and Hooker's Green Dark I scruffed in a foreground bank area.
I let the underpainting dry.
A tree emerges
I mixed up a strong blue wash
from Cobalt and Ultramarine Blue using a #4 flat red sable.Holding my brush at a rather severe angle
I let it lay on the paper with varying pressure as I dragged strokes to create the shadows and texture on the tree trunk.
After finishing the large tree trunk
I decided it was fall (which it was at the time) and using all the Cadmium colors; yellow medium, orange, and red medium, I roughed in fall foliage with some rather garish colors.
I used the Kolonok #4
flat red sable for these washes.
A change in plans
As I finished the riot of color
on the far banks I added a light wash of orange as a reflection in the lake of the large background tree followed by a run of pure Cadmium yellow medium down the bank under the far tree. I mixed a dark bluish gray from some Cobalt blue and Burnt umber and quickly drew in some dark accents strokes on the large tree trunk.
At this point I considered the flaming trees
and though of the dark maroon maple trees across the street. Using the underpainting as a base I scrubbed in the main tree shape with a mixture of Alizarin crimson and Pthalocyanine green which gave an adequate maroon color.
As I worked on the big maroon tree
in I relied on the natural spread of the #8 round red sable brush to help create convincing foliage textures.
The classic water effect
I decided the water in lake
would be a greenish brown. I used Hooker's Green Dark and Burnt Umber to get a satisfactory color.I start dragging texture parallel
with the horizon line, across the lake using the not-too-wet #4 flat red sable.
A lake appears before me
As I pulled each stroke across the lake
I varied pressure on the brush to create the "sparkly" water areas.
If your brush is too wet, you'll lay a flat wash. Blot your brush on a flat damp sponge or paper towel to adjust the amount of paint in the brush.
A little detail and punch up
Using Hooker's Green Dark
I made a medium toned puddle of paint. I used my #4 flat red sable brush, charged, and blotted. I tweaked it between my thumb and finger to spread the hairs a bit.Using an upward "flicking" motion
I added some grasses under the tree. I used some of the same color on the far bank.
Just a minute, almost done...
I decided the lake had some swampy areas
near the shore and I added some calligraphic indication of cattails.
By now, the blue in the sky
was looking a little too light. I mixed up some more Cerulean Blue, a little darker this time, and scumbled the sky areas again.
Using the same blue
and a #8 round red sable brush I added the sky color to the lake reflections.
Click image to enlarge.
Free Watercolor Painting Tutorials © 2004-2010 Gregory Conley
*Permission to print www.watercolorpainting.com watercolor painting tutorials granted for school classroom or personal use only.
All other permissions must be attained by contacting email@example.com or by writing: Watercolorpainting.com, ATTN: Gregory Conley, 3140 Lime St., Riverside, CA 92501-2929 USA.